The Last Exorcism
“If you believe in Jesus Christ, then you have to believe in daemons.” – Reverend Cotton Marcus William Friedkin’s remains an epic, bone-chilling exercise in exorcism. With its serious tone on the century-long religious ritual, “The Exorcist” quickly became a classic in horror filmmaking. Within the horror genre, filmmakers have regularly copied the scare-inducing techniques and gothic set designs of Friedkin’s masterpiece. But no film in my opinion has eclipsed “The Exorcist,” though some films came close in the process. On the subject of exorcism, two recent films, “The Exorcism of Emily Rose” (2005) </a> and “The Last Exorcism” (2010), draw their inspiration from “The Exorcist.” Both movies offer a believable and fresh perspective on exorcism, a topic that has been irrefutably exhausted by uninspiring sequels in the “Exorcist” series. Directed by Daniel Stamm and produced on a minuscule budget of $1.8 million, “The Last Exorcism,” through positive word-of-mouth and favora...